• Brigandage

    Location: London, UK

    Brigandage, UK postpunk positive punk

    London based postpunk group. They had only one single, but were one of the standout bands on the classic The Whip compilation by Dave Roberts of Sex Gang Children. They performed at clubs like The Anarchist Centre London, 100 Club, Klub Foot/Clarendon Hammersmith Ballroom with bands such as Sex Pistols, Sex Gang Children and Actifed. They, along with Blood & Roses, were featured on Michael Moorcock’s 1983 South of Watford show, a showcase of the positive punk movement in England.

    Related: London, The Whip, Actifed, Sex Gang Children, Sex Pistols, Blood And Roses, Michael Moorcock

    Links:

    Discogs: https://www.discogs.com/artist/353035-Brigandage

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    From the no longer present Brigandage.com:

    Right! here we go now!!! and welcome to the official site of the legendary punk rock band brigandage. It’s been many years and many drinks under the bridge since Brigandage set sail, struggling on a sea of apathy, battling against tidal waves of despair and hopelessness that was 80’s Britain There were many casualties in this war and Brigandage lost several members who could no longer face the conflict and onslaught of criticism, who lost a battle of wills with drugs or some who just felt it was time to move onto dry land to pastures new- or should we say passing fads and modern styles. Brigandage was born out of an act of Will. In meeting the right people, of believing the vision. Within the year we had gone from rehearsing weekly at Terminal studios to playing the Anarchist Centre and the 100 club.Standing and performing on the same stage as the Sex Pistols was a dream come true. But dreams, visions, magick, whatever you like to call it can only be fulfilled if all are committed to the same act. Events might have conformed to my will for a while but unfortunately I forgot a crucial element in the equation – the other members of the band. I can’t speak for Richard North, only what I remember but when Richard was asked to report on the bands he’d been reviewing we were so excited- all of us would get some exposure – people outside of London would hear us. He wrote with joy and in good faith and tried to mention as many bands as possible. At first most people seemed pleased, but then the backlash. When the other music papers realized they’d been left standing at the gate everyone was slagged off. I think nearly every band paid a price. Mine was to be sniped at and criticized by people who were formally friends and allies, and then to be thrown out of my own group… Hail Eris, Goddess of discord … little did Richard and I know….but an article that celebrates music and life cannot be blamed for peoples responses. At most it probably accerlerated our descent into the ubiquitous pit known as musical differences. i.e. our potential record company wanted us to release a Thin Lizzy track on the b- side. I naturally declined this honour… turns out they owned the publishing rights to Thin Lizzy. I’m surprised we lasted as long as we did really. Any band that has its singer (me) coming to physical blows with its guitarist (mick) and fighting on the floor in the middle of a recording session must have some issues!But hey! this sounds like nothing good came from the piece. I love that article, seeing your band and your friends’ bands mentioned and the ideas all gaining ground, getting aired to a wider audience – bloody fantastic .If that piece had never been written I’d never have met the Newcastle lads – Cooey, Dave and Tosho the one, at the aborted Scala allnighter. We wouldn’t have met the Americans – Maggie and Gerard, later to become Tex Diablo of Zodiac Mindwarp, who generously took Richard and I to Hollywood and Mexico and we’d never have met Michael Moorcock when we did the South Bank Show. No not the south bank show- what am I on- The South of Watford show – exactly.Fashion digression – The South of Watford Show -what the hell was I thinking of? short white dress, holey black tights tucked into boots! Why didn’t I wear the simple, classic little black number – bondage trousers.Why didn’t anyone warn me that video makes you nearly a stone heavier. I was only about 9 stone then and all I remember is my mum ringing me up to tell how fat my thighs looked. So all that speed really worked then! so here we are – having well and truly left the 20th Century using the effort of the will to live and breathing. How did we get here and where are we going?

  • Blackouts

    The Blackouts formed in Seattle in 1979 with Erich Werner, Mike Davidson, and Bill Rieflin, former members of The Telepaths. They were joined by Roland Barker, and after their first two releases, Davidson was replaced by Roland’s brother Paul Barker in 1981 for the “Exchange of Goods” single on Situation Two. In 1982 they moved to Boston where they played with bands like The Misfits, who toured often. 

    This is when they run into Al Jourgensen of Ministry, who produced the ‘Lost Soul’s Club’ EP for Wax Trax! Records. Not long after, Blackouts disbanded andJourgensen recruited Rieflin, Paul and Roland Barker to the line-up of Ministry, leading to further collaboration between Paul Barker and Jourgensen in Ministry, Revolting Cocks, Lard, etc.

    Related: Seattle, 1979, Erich Werner, Mike Davidson, Bill Rieflin, The Telepaths,  Roland Barker, Paul Barker, Situation Two, Misfits, Al Jourgensen, Wax Trax! Records, Ministry, Revolting Cocks, Lard

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  • Play Dead

    Location: Oxford, England
    Active: 1980-1986

    Play Dead was an early entry into what was becoming known as post punk and even gothic, with a much more rhythmic sound along the lines of what The Southern Death Cult and UK Decay were starting to develop. Initially a punk band, they quickly found their direction and released many singles (beginning on Fresh Records along with The Dark and UK Decay) and three albums in their relatively short existence. After they disbanded in 1986, founding members Rob Hickson and Pete Waddleton, guitarist Steve Green, were joined by Mich Ebeling of Look Back In Anger and formed Mankind’s Audio Development aka M.A.D.

    Related: Oxford, UK, 1980, Punk, Gothic, The Dark,The Southern Death Cult, UK Decay, Rob Hickson, Pete Waddleton, Steve Green, Mich Ebeling, Look Back In Anger, Mankind’s Audio Development, M.A.D.

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  • The Dark

    Location: Islington, London, England, UK
    Active: 1978-1982

    Formed in London in 1978, The Dark alongside The Damned stood out as capable of more melodic and dynamic sounds, though they never achieved wide success or recognition. Despite never focusing on a particularly gothic sound as their name might imply, their single ‘The Masque’ is a cornerstone on any gothic punk compilation. Like many of their peers in the movement at the time, they highlighted political and social topics, but more directly and succinctly than style over substance bands that achieved more attention. 

    The majority of their music was put out on the label Fresh Records, who brought out some of the earliest UK Decay, Play Dead, and Second Layer records, some more experimental bands like Cuddly Toys and Family Fodder, not to forget about more punk fare like The Wall, Menace, and the fantastic Punk and Disorderly. Their final record was a 1982 live recording of what was to be their final gig, though their actual last gig was at the Klub Foot in August with The Lurkers.

    The initial lineup consisted of John Flannagan, Billy O’Neil, Jim Kane and Phil Langham (later Action Pact and staff at Cherry Red Records), soon joined by Andy Riff. Other members over their career would include Jim Bryson and Razzle (both formerly of Demon Preacher, with Nik Wade aka Nik Fiend in Demon Preacher – the band that would become Alien Sex Fiend). Razzle would end up with Finnish rock band Hanoi Rocks until his tragic death in 1984.

    Related: UK Decay, The Damned, Alien Sex Fiend, Hanoi Rocks, Play Dead, Demon Preacher, Second Layer, Cuddly Toys, Family Fodder, The Wall, Menace, London, UK, 1978, Action Pact, Anagram Records, Cherry Red Records, Fresh Records, Punk and Disorderly

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  • Sexbeat

    Location: London, England
    Active: 1983-1984

    Sexbeat arose out of London’s Batcave club, where Hamish McDonald (guitar, vocals) was one of the core DJs. They are remembered for their self titled song on the ‘Batcave: Young Limbs And Numb Hymns’ compilation. Initial reception to the song led to a record with ABC Records but the resulting  ‘Pump/Sweat’ 12″ lost the essence of the band in production – an all too common occurrence as the 80s music climate began to shift. Though they managed some high profile gigs in England and the USA (CBGBs, Danceteria), after a tour with The Cramps, they ceased activity. A posthumous 7” single of ‘Sexbeat’ was released in 2024.

    Related: Batcave, Young Limbs And Numb Hymns, CBGBs, London, Hamish McDonald, The Cramps

    Links:

    Discogs: https://www.discogs.com/artist/278399-Sexbeat

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  • Antiworld

    Location: Portland, Oregon
    Active: 1995-2014(?)

    Antiworld formed in Portland in 1995, one of the few bands in the punk scene that actively incorporated gothic and horror elements into their aesthetic in a way that 45 Grave, early Damned and TSOL did, laying the groundwork for a deathrock revival in the 2000s, ushering in new waves of gothic bands with a punk approach and vice versa.

    Links:

    Discogs: https://www.discogs.com/artist/412808-Antiworld

    Related: Portland, 1995, TSOL, The Damned, 45 Grave, Punk, Gothicpunk

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  • The Plasmatics

    One of the very early bands to hit the metal music genres was New York’s Plasmatics, fronted by the legendary Wendy O. Williams. Taking the bombastic stage antics of Kiss and Alice Cooper and the no limits attitude, over-the-top speed and aggression of punk, The Plasmatics were a phenomenon all their own.

    Related: Metal, New York, Plasmatics, Wendy O. Williams, Kiss, Alice Cooper, Punk

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  • Ghoul Squad

    Location: Boston, USA

    Founded by Ron Hexe, formerly of long running Massachusetts punk legends The Freeze, he took his sound in a darker direction with several bands in the 1980s and 90s. Ghoul Squad, Eleventh Hour, 34 Vampires, among other projects and solo recordings were the fiendish, dark horror punk results.

    Related: The Freeze, Eleventh Hour, 34 Vampires

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  • Cathedral of Tears

    After Jack Grisham left TSOL in 1983, he formed this band.

    Related: Jack Grisham, TSOL

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  • Tender Fury

    Post-TSOL project of Jack Grisham.

    Related: TSOL, Jack Grisham

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